youpamper me to hell and backuseful phrase

This pamphlet of poetry by Hera Lindsay Bird is a startling departure from her bestselling debut Hera Lindsay Bird by defying convention and remaining exactly the same, only worse. Displaying 1 - 30 of 69 reviews. There are some more straightforward love poems too. Can't find what you're looking for? Want to read. Author 13 books 32 followers. I listened to her read that poem over and over, crying at the end every time. I enjoyed reading the last three poems, which have a more serious undertone, whilst still being light-hearted and full of humour. Imagine again that picture of me, Joey Connolly, laughing and crying. P amper Me to Hell and Back is full of confessional, provocative and occasionally explicit poems, written in a conversational style with a bleak outlook on life. This poetry neither needs nor wants to venerate the manufacture of apt metaphysical equivalences. Subscribe to Blog. Do read.

A wonderful, albeit short, collection. Or the other way round. Buy this book from Waterstones. The sheer reach and imaginative variety is striking, but… is that variety part of any form? The grand austere aha! Cristina Morariu. Author 1 book 18 followers. These poems, like most good poems, point via negativa to the things which cannot be said. Absurd and overwhelming, but accurate and revealing - just like love is.

Jam & Jerusalem

Do read. Google this. The humor balanced on top of painful truths and insights. I am always making speeches, but speeches are a waste of time The only useful speech is one where you enumerate someone's many failures until they burst into tears But if anyone is bursting into tears today it will be me I just want to lie naked on a deckchair, fanning myself with divorce papers from "Speech time". Everything is so devastating and so stupid, and somehow that is all the same thing. It's so hard to do love poetry well, but HLB's love poetry is my favorite kind. Search review text. Hera Lindsay Bird 4 books followers. Join the discussion. She manages to build you an image in your head of every single poem. Absurd and overwhelming, but accurate and revealing - just like love is. That is, the ability to make a statement and to both mean it very deeply while simultaneously holding it up as an object of mockery. More reviews and ratings.

Poetry Review: Pamper Me to Hell and Back by Hera Lindsay Bird

• I like this picture because it reminds me of loneliness And the great, unspecific boredom of life.
• Buy this book from Waterstones.
• The very light which makes the blossom visible also renders it sarcastic, bitter and mean.

Jump to ratings and reviews. Want to read. Buy on Amazon. Rate this book. Hera Lindsay Bird. Love, death, Bruce Willis, public urination, being a woman, love, The Nanny, love. This pamphlet of poetry by Hera Lindsay Bird is a startling departure from her bestselling debut Hera Lindsay Bird by defying convention and remaining exactly the same, only worse. Loading interface About the author. Hera Lindsay Bird 4 books followers. Born in Thames. Write a Review. Create a free account to discover what your friends think of this book! Community Reviews. Search review text. Displaying 1 - 30 of 69 reviews. If I priced per page, this very slim volume is the most expensive book I have ever bought! Totally worth it. Highly recommended.

P amper Me to Hell and Back is full of confessional, provocative and occasionally explicit poems, written in a conversational style with a bleak outlook on life. Many of the poems are surreal, whilst some feel more like Facebook posts, and others seem designed to be performed as spoken word. This sets the scene for a collection which is both humorous and disconcerting, light-hearted and satirical. It also reveals the underlying themes of mortality, love and the relentless monotony of life. This is not the kind of poetry pieluchy skład I normally read, and I must admit to being put-off initially by the more explicit and provocative lines. Perhaps it is the interminable onslaught of surprising almost ridiculous imagery, or the self-deprecating humour that runs throughout. Whatever it is, there is something pamper me to hell and back and a little bit addictive in these poems, pamper me to hell and back. Other poems seem to be anti-love poems.

Pamper me to hell and back. Pamper Me to Hell & Back by Hera Lindsay Bird

Part of that infectiousness comes from their strikingly idiomatic style, characterised by several traits: an informality informal to the point of ritual; short to mid-length declarative sentences, stripped of any formal expression of the strong feelings they describe; a conspicuous lack of lyricism; the deadpanning of great misery and joy. Fame, the moon, meaninglessness. Well, where historically poets have refined their language towards poetic diction and metre — and risked being programmatic pamper me to hell and back melodically repetitive as a result — Bird refines her language towards an imitation of vernacular usage. But Bird is never those things, in the same way Tennyson is never drily metrical. The other striking formal features are the barrage of similes and the frequent ellipses — both taken straight out of the poems of Chelsey Minnis, pamper me to hell and back. The sheer reach and imaginative variety is striking, but… is that variety part of any form? Or the other way round. Probably the other way round. The very light which makes the blossom visible also renders it sarcastic, bitter and mean. This poetry neither needs nor wants to venerate the manufacture of apt metaphysical equivalences. Rather, it wants to make a kind of metaphorical soup — with a bunch of tenors and a bunch of vehicles swilling around, bumping into each other with little clangs of humour or insight — by force of density more than precision, pamper me to hell and back. The grand austere aha! We see the same mockery regarding the abandon of being in love when Bird writes. Look at how ludicrous it is to be serious about any of thisthe poem thinks. That is, the ability to make a statement and to both mean it very deeply while simultaneously holding it up as an object of mockery.

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It just so happens that the tools she has at her disposal are those of easy narrative, pretence and the grand pronouncements of the individual.

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